Archive for the ‘Workshops’ Category

It’s still spring….

April 20, 2017

“Natsu”/Summer

At the moment, I don’t know where or how to begin.  It would be an understatement though no matter how I described how this season has gone (so far) and what’s to be anticipated in the near future.  There is so much to look forward to.

To step back, a little, I have finally completed the yukata that was a huge preoccupation since last summer.  I’m happy and honored that it’s part of an exhibit, “Filaments of the Imagination”, at the Durham Arts Council.  And there are so many delightful treasures to explore in this exhibit.  If you happen to be in the area, please drop by and see it.  “We” (my Threads group) are exhibiting through May 11 (we are disassembling on the 12th).

Upcoming, (see the Workshops page & link), one month from now, is a 2 day workshop in shibori and indigo dyeing at the NC museum of art.  Needless to say, I’m looking forward to teaching this in a new studio situation.  So, join us.  We’ll have fun!

Yes, the sun does still come out, my siblings and I share stories and laugh.  There is sadness, we miss her.  It was complex.  But she gave and taught us much.  We have yet to celebrate her life as a family and that is also upcoming in late spring.

Mom never saw my yukata, but I did describe it to her and we talked about the imagery.  It was one of my last conversations with her.  The imagery is a mix, but universal, as it talks about summer universally, but some aspects of summer that I experience (always) and loved from my years in Japan, North Carolina and visiting my sister’s home in Wisconsin (up on Lake Superior).

I’m amazed it’s still spring and there’s more and more coming.  I haven’t even mentioned the garden – so much work to do and now we have an abundance of fearless rabbits, it seems.  Things are ongoing.

Save

Spring doin’s

February 27, 2017

It is so evident that when art is present, things are better—even in the toughest circumstances.   —  Theaster Gates

I ended my last post with this quote. On seeing it again, I know it’s true.

Winter seems to have had its last blast some time ago, as it is so springlike now. Trees are in early bud and bloom and I’m also readying my yard for gardening – mostly raking pine needles and leaves.

Jane Magnolia - they don't usually bloom in February.

Jane Magnolia – not in February.

March brings two events. On my workshop page, I’ve listed The Humble Stitch in Shibori which begins on March 11th – an all day Saturday and Sunday event at Pullen Arts Center (Raleigh).

Stitched

Stitched line & flower petal

Then, the following weekend, I join my Threads group in a Fiber Art exhibit at the Durham Arts Council (Durham, NC), Filaments of the Imagination. We’ll be showing various forms of fiber work: quilting, weaving (including bead weaving), works on paper, fiber sculpture, embroidery, silk painting and shibori. The exhibit is up until May 12. The opening reception is on March 17, 6 – 8 pm. I’ve included a write up on my Events page.

We are a diverse group – each of us pursuing our unique interests, and yet, we find much commonality in the work we do – whatever our mediums are.  Over the years, we’ve become good friends and a close supportive community.

And, that yukata I’ve been working on for so long…I’m putting in the last stitches today.  It’s due to be in the upcoming exhibit.  Can’t wait to see how all of the pieces work together.

Yukata detail

Yukata detail

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

Save

high calorie

October 7, 2016

From last month’s workshop:

from day 1

from day 1

How does one select only one image from an array of so many successes? They can be found on my flickr or instagram sites for a closer look. I think we (and I do include myself in this) thoroughly enjoyed the experience.

I’ve listed dates for my next workshop at Pullen Arts Center on the Workshops page. More details will follow later.

In the meantime, research and experiments continue with yukata continue.

practice

practice piece – for a sleeve

I’ve been practicing Katano shibori over the years, but haven’t been at all satisfied with the results. So far, this is the closest that has given some affirmation. To me, there are so many variables in this technique. It’s not just the stitching, and cloth thickness, but the kind of cloth as well. It has to be practiced, and still…more seems to be required.

Regardless, an opportunity to examine some yukata from the collection of the Gregg Museum of Art and Design came up – Janine offered, so of course, I took her up on it.

yukata with wide tucks

yukata with wide tucks

We photographed, measured, looked at the seams and other finishing details. We looked at several, made for both men and women and compared their differences and similarities. Not one was the same, in spite of the form – lots to think about there.

For “dessert” she pulled out a kimono with it’s inner kimono that had this for a lining:

inner lining

inner lining

High calorie, don’t you think?  I love that red.

And by the way, my U.S. readers, if you aren’t registered to vote…please do so.  And when it’s time (early or on the day), go cast your vote.  If you’re undecided, educate yourselves about the candidates and the issues at hand.  I’m registered and I’m voting.  Definitely.

Save

Save

A catch

September 9, 2016

Early this afternoon, a special and long awaited “guest” arrived in the garden:

today's catch

today’s catch

This may be the sole reason why I plant milkweed and other assorted flowers and herbs. I love all of the life they attract, the finches, hummingbirds, other butterflies and of course, bees. The monarch, though, feels like something much more, and it appeared this afternoon, flitting about, never resting. So, this was pure serendipity.

arashi

arashi on the first body piece

In the meantime, dye work continues on a current focus – the yukata. I may have mentioned earlier, that this third one may take more time.

It also came to mind that in none of my write ups regarding the upcoming workshop (at Pullen Arts Center, Raleigh – please see the Workshop page) did I mention to bring a bag lunch. I’ve altered that, but wanted to make a note of it.

Save

Save

Save

the August studio

August 29, 2016

This month’s focus has been the yukata (summer kimono). After completing a small mock up,  these last two weeks have been about a full-size piece. It isn’t finished, but close enough for the moment.

1313

full length – front & back of one side

The first week was spent dyeing all seven pieces to the garment: 2 front and backs, 2 sleeves, 2 overlaps and the collar. Each piece was manipulated uniquely and then dyed.

1405

Beginning to look like “something”

At this point, all seven pieces are attached, but it is long and unwieldy. It’s bulky (because of the cloth type), wider, still than it really should be…still, I rather like the way things came together with the hand stitching. Yet, in the near future, I may take it apart to make some adjustments.  There’s much more to this garment than anticipated.

1439

nearly there

And as we are now looking into September, I invite you to consider the weekend shibori workshop (Upcoming Workshops page) coming in the latter part of the month. It can be as intense and serious as you want, but I think fun is a necessary ingredient. It’s about indigo, it’s possibilities and beauty, as well as shibori.

Save

Blue Blazes

August 4, 2016

We’ve had those moments – well, more than a few, where the temps really were up there. I know in some areas of the country it’s been far worse. Today, though, we’ve dipped a bit and it’s truly a respite.

custome work

custom work

It’s helped to have custom work to keep the momentum going (perhaps more for the brain than anything). In spite of the heat, it takes me outside to the garden and the dance there.

the view

the view

I did take a break earlier last month, traveling to Wisconsin to visit family – Bayfield. Their house faces Lake Superior. The daily view, all day long, was enough to refresh both mind and soul.

Yukata mock-up

Yukata mock-up

Recently, someone in my Threads group said something like “we need a kimono” (I’m not saying what for at this stage, just sayin’ at this point)…so, I’ve been giving it some thought. First, a mock-up – I mean, why not?  There are areas in making Japanese garments I find a challenge. So it seems appropriate to just play with the idea…and the above photo documents the beginning of these “thoughts” and explorations.

On another note, I’ve finally updated my Workshops page with more information about the September workshop. If you are interested or have questions, please don’t hesitate to ask. Otherwise, sign up and join us!

I nearly forgot, “blue blazes”…hotter than blue blazes, folks.  Really.  You walk outside and just dissolve in the humidity.

Save

Save

Like a lamb or a goat?

March 23, 2016

Earlier this month I would have said “Spring came in like a lamb” and then I had to rethink things a bit – maybe more like a goat. Still, what’s ahead seems promising.

One thing, is a class, just added to my Workshops page – in May – devoted as per usual to shibori & indigo, but also to making a noren.

Some of my winter make time was devoted to the above noren – just one example. In this case I was was inspired by Serizawa, a katazome (paste resist) artist – an homage. I love his work.

The characters, hiragana, say ようこそ(youkoso)/Welcome.  It hangs in my front hallway.

Other promises and welcoming spring things…well, lots of little green sprouts are making their appearance in my small greenhouse.  I’ve also seen a few butterflies in spite of the up and down temps these last few days.  Spring.

late greeting…still…

January 26, 2016

Of course, I was going to ‘catch’ this event before the pod burst, as I didn’t want milkweed seeds floating around my house.

0776

               milkweed pod with seeds.

I’d brought in the pot to protect it from the cold and to encourage more growth and development,  also to ‘catch’ some seeds – it worked.

0770

Ice on Mahonia – from the recent ice storm – it melted quickly.

January has had to be a respite and I may just be getting started with the idea. It’s not a bad thing. I’ve been reading, researching, re-thinking my approaches to some aspects of my work, to name a few…. I’ve been enjoying the relative quiet.

So-det.

detail from a noren – hiragana so in shibori & indigo.

Things will continue to be made, as that kind of activity feeds me. It’s the same for workshops – they will continue to be offered. It’s just going to be a different year compared to the recent past. I suspect the focus will be more on making – continuing dialogues with fiber, dye, and threads – of course, indigo and shibori.

2967A

a taste…shibori & indigo on a line.

On that note, as mentioned previously, and listed on my ‘Workshops’ page, there is an upcoming workshop at Pullen Arts Center (Raleigh). The weekly evening classes begin in late February and go through mid-March. I look forward to that opportunity.

And one more thing:
今年もよろしくお願いします・・・
Kotoshi mo yoroshiku onegaishimasu.
In this (new) year also, I hope for your favor.

新年おめでとうございます。
Shinnen omedetougozaimasu.
Happy New Year!

bluer than blue?

November 19, 2015

As in any other medium, there seems no limit to the imagery one can create in working in shibori.  That’s one of the things I love about it.  The challenge lies in its engineering aspects. The image below is student work, but it wasn’t child’s play, it was work.

DL-Sailboat
I was fortunate to witness some of the aspects of the making of this piece – and yes, part of it may have been play – certainly experimental. It was a dip at a time, letting it oxidize, assessing it and repeating the process until the dye was deep enough or that it covered the desired areas. I love the playful aspects of the piece. It also takes me to a long ago place, a certain lake and some memorable sailing.

From time to time, especially when I’m in the middle of a workshop, often, a particular proverb comes to mind. I encountered it my early years of teaching as well as explorations in indigo. It has become a favorite:

「青は藍より出でて藍より青し」
「あおは あいより でて あい より あお し」
Ao wa ai yori dete ai yori ao shi.

The translation has to do with blue being stronger/better/beyond the blue in the indigo plant (at least it’s a reference to an original color source) or something of that ilk. At any rate, it refers to the student being better than the teacher – quite often the case and certainly in my experience many times. So, I wonder if this has more to do with becoming better – growing past the teacher, which is what is wanted in the end. That may be the message in the proverb and to the teacher as well.

silly, fun, but open doors to possibility….

November 12, 2015

The sun’s out after more rain, and the weather is so fine – mild, breezy (a front’s moving in) – a perfect autumn day. A late monarch even paused on one of my milkweed blossoms – too brief to photo, but long enough to note the variations in their reds and oranges.

milkweed pods - slow progress, but progress nevertheless

milkweed pods – slow progress, but progress nevertheless

This week brought to completion my workshop on creating texture. I will miss this class and their quiet explorations. They simply continued to reinforce why I teach – their questing, discovering considering, thinking – they challenge.  In the days that follow each class, I also ponder and wonder.

student work - exploration in texture & landscape

student work – exploration in texture & landscape

We don’t always find the answers, but the journey is…quite the thing. So, even though classes were over a 5 week period, it feels like we were just getting started and it is a slow process.

0240B

lamb – why do I enjoy the piece so much?

Imagery was fun, fanciful, sometimes silly…but definitely open doors to possibility. I think we all had fun with it. So, I’m really looking forward to more exploring coming in late February (listed on the “Upcoming Workshops” page).


%d bloggers like this: